The exposition continues with a new method of descriptive drawing wherein one concentrates on looking at the object to be delineated while not even glancing at the drawing hand nor at the paper where the drawing is in progress. One draws in a continuous line never lifting the pen from the paper - the hand follows movements of the eyes without being itself supervised, with the result that the line becomes detached and somewhat semi-autonomous. This disjunction from the usual practice of looking alternately from the object to the partially completed drawing in progress and at the drawing hand, results in a new sort of rigour which liberates the line from its supervised path. Even though the line doubles back on itself and locates a symmetrical object asymmetrically, it contains a sort of self generating precision. This is one way to create liberty within the confines of the figurative.

Portrait

Synthetic Form

Three-Dimensional Structure

Interior Form

Projections