Books written by S.W. Hayter
'About Prints'. Oxford University Press, London, 1962
'Jankel Adler'. Introduction by Stanley William Hayter. Nicholson and Watson, London and Paris, 1948
'New Ways of Gravure'. Pantheon, New York, and Routledge and Kegan Paul, London, 1949. 2nd edition:Oxford University Press, London,1966. Revised edition: Watson Guptil, New York, 1981

Books translated by S.W. Hayter
'Masterpieces of French Painting'   A. Zwemmer, London, 1934-5
'Skira', Albert and E. Tériade.

Books illustrated by S.W. Hayter
Bulfinch Thomas. 'The Age of Fable'. Heritage Press, New York, 1942
Von Kleist Heinrich . 'Les Marionettes'. Translated from german by Flora Klee-Palyi, illustrated by S.W Hayter. GLM, Paris, 1947

Books and portfolios containing prints by S.W. Hayter
Beckett Samuel. 'Still'. Editione M'Arte, Milan, 1974. Pœm. Translation into Italian and three prints by Hayter, loose in slipcase (359-61)
Calas Nicolas. 'Brunidor Editions, Brunidor Portfolio Number One'. New York 1947. Portfolio of Surrealist prints, one by Hayter (182)
Clézio J.M.G. 'Parkinson'. A.P.I.A.W., Liège, 1966. Folio with text about Parkinson's disease and accompanying print by Hayter (300)
Coffey Brian. 'Death of Hektor'. Circle Press, Sussex, 1979. Cycle of pœms and nine accompanying prints by Hayter (401 -9)
Coffey Brian (trans). 'Paul Eluard's Poèmes d'amour'. 107 Workshop, Shaw, Wiltshire, 1983. Edition of Eluard's poems with12 prints by Hayter (428-39)
Coffey Brian. 'Third Person'. Europa Press, London 1938. Book of poems, with one print (124)
Crevel René. 'Feuilles éparsées'. Louis Broder, Paris, 1965. Bound anthology of pœms and prints, one by Hayter (274)
Eluard Paul and others. 'Solidarity'. GLM, Paris, 1938. Portfolio in slipcase containing poem of Eluard and prints by Picasso and others; one by Hayter (111)
Eluard Paul. 'Facile proie'. GLM, Paris, 1939. Portfolio in slipcase with Eluard's poem and eight prints; another pasted on slipcase (115-123)
'For Meyer Schapiro Portfolio'. New York, 1974. Large portfolio of prints made in honour of Meyer Schapiro, one by Hayter (367)
'Hayter Stanley William. Nine Engravings 1933-1946'. Associated American Artists, New York, 1974. Portfolio with new editions of nine early prints and short descriptive text (78, 89 93 122, 127, 129, 166, 172,192)
Hayter S.W. 'Paysages urbains'. Editions des Quatre Chemins, Paris, 1930. Portfolio of six prints (33-8)
Hugnet Georges. 'L'apocalypse'. Editions Jeanne Bucher, Paris, 1932. Portfolio of six prints and accompanying verses by Hugnet (49-54)
Hugnet Georges. 'Ombres portées'. Editions de la Montagne, Paris, 1932. Book of poems containing five prints (62-6)
Laurel Gallery. 'Laurels Number One'. New York, 1947. Bound review with prints tipped in, one by Hayter (171)
Lambert Jean-Clarence. 'La danse'.  Falaize, Paris, 1955. Small book celebrating dance, a limited edition of which was accompanied by one print by Hayter (223)
Mesens, E.L.T (ed). 'The London Bulletin'. June 1940. Double issue of Surrealist review with woodcuts and other illustrations, one by Buckland Wright after Hayter (131)
'Peace Portfolio L' Academical and Professional Action Committee for a Responsible Congress, New York,1970. Portfolio of prints by various artists, one by Hayter (336)
Reavey Georges. 'Faust's Metamorphoses'. New Review Editions, Fontenay-aux-Roses, 1932. Book of poems containing six prints (55-60)
Reavey George. 'Nostradam'. Europa Press, Paris, 1935. Book of poems of which 25 copies with one print; another used on cover for whole edition (92-3)
Schwarz. 'The International Avant-garde N° 15'. Milan, 1962 Bound collection of prints (in mounts) by members of the Avant-Garde, one by Hayter (266)
Spender Stephen. 'Fraternity.' Paris, 1939. Portfolio in slipcase with poem by Spender and prints by Mirô and others, one by Hayter: another pasted on slipcase (126-7)
Weisenthal Morris. '21 etchings and poems' . Morris Gallery, New York, 1960. Portfolio of prints incorporating pœms, one by Hayter (181)

Articles written by S.W. Hayter
'Alexander Calder à Paris'. XXe Siècle, Editor G. di San Lazzaro. Paris, 1972
d'Arbeloff Nathalie. 'Designing with natural forms'. London, 1973. Reviewed by S.W. Hayter in Leonardo vol. 7. Oxford, 1974, 'Printmaking'. Encyclopedia Americana. New York, 1975
'Development of Automatism'. Possibilities. Edited by George Wittenborn. New York, 1943
'European Artists Teaching in America'. Statement in Catalogue, Addison Gallery of American Art, Andover,1941
'Exposition de l'atelier 17'. La bête noire n° 3-4. Paris 1 June 1935
'Interdependence of idea and Technique'. Tiger's Eye I, n° 8. New York, 15 June 1949, pp.41-5. Previously published as 'Les relations entre l’idée et la technique', Paris, August 1946; later, as 'ldea and Technique' in Student Independent, Chicago Institute of Design, Autumn 1953
Introduction to Catalogue 'Krishna Reddy A Retrospective'. Bronx Museum of the Arts, New York, November 1981
'La Gravure de Mantegna'. L'OEIL. Paris, November 1957
'Les bases de la réalité'. June. Paris, July 1946
'Les relations entre l’idée et la technique'. June. Paris, August 1946
'Les techniques de l'estampe' and 'Une certaine idée de l'éducation'. Catalogue of the Exhibition 'Hayter, L'Atelier l7'. Musée de Caen, 1981
'Line and Space of the Imagination'. View lV n°4. New York, December 1944
'Notes sur la gravure'. Art-Documents. Geneva, November 1951
'Note on the Techniques used by Atelier 17'. Catalogue of the Exhibition  'Atelier 17' at Leicester Galleries, London, March 1947
'Of the Means'. Possibilities N°1 (edited by George Wittenborn). New York, Winter 1947- 8, also published in Transformation. New York, 1950
'Orientation, Direction Cheirality, Velocity and Rhythm.The Nature and Art of Motion'. (edited by Gyorgy Kepes). Studio Vista, London and New York 1965, pp.71-80
Pierce John. 'Almost all about Waves'.  MIT 1974. Reviewed by S.W. Hayter in Leonardo vol. 9. Oxford, 1976
Petit Gaston. '44 modern Japanese print artists'. Foreword by Kubo Sadajiro, preface by Stanley William Hayter. Tokyo, New York, Kodansha International, 1973
'Quelques techniques de la gravure à l'Atelier 17'. Cahiers du Musée de Poche n° 1. March 1959
'Réponse à une enquête: Quel paysage avez-vous choisi ?' Arts 368. Paris, 10 July 1952
'Atelier 17'. Graphis vol. 10, n° 55. Zurich, 1954
Saphire Lawrence. 'André Masson: The Complete Graphic Work'. New York, Blue Moon Press, 1990. Vol.1. Surrealism,1924-49. Preface by Stanley William Hayter
'S.W. Hayter Speaks...'  Journal of the Royal Society of Painter Etchers & Engravers n°.7. London, 1985
'Tanguy and Atelier 17'. Yves Tanguy - Das Druckgraphische Werk W. Wittrock, Düsseldorf, 1976
'Technical Processes of Atelier 17' and 'The Pretension to Find New Expression ...' Catalogue of the Exhibition 'Atelier 17', Laurel Gallery, New York, 1949
'Techniques of Gravure. Hayter and Studio 17'. Museum of Modem Art Bulletin vol. Xll, n°1. New York, August 1944
'Techniques of Line Engraving'. Print I n°4. New York, March 1941
'The Apostle of Empathy: Paul Klee'. Magazine of Art 39, n° 4. Washington D.C., April 1946
'The art of this time'. Transformations vol 1, n°2. New York, 1951
'The Convention of Line'.  Magazine of Art 38, n° 3. Washington D.C., pp.92-5, March 1945
'The Image Makers'. Magazine of Art 40, n° 10. Washington D.C., October 1947
'The Language of Kandinsky'.  Magazine of Art 38, n° 5. Washington D.C., May 1945, also printed in Wassily Kandinsky, 'Concerning the Spiritual in Art', Documents of Modern Art n°5, New York, 1947
'The Lautrec Bite'. Art News vol. 54.(New York, November 1955
'The Making of a Painting'. Catalogue of exhibition 'S. W. Hayter, Peintures 1940 - 1975'. Paris, Galerie de Seine, 1976
'The Making of a Painting'. Leonardo vol. 1, n° 3. Oxford 1968 - 9
The Silk Screen'. Serigraph Quarterly vol.1 n°4. November1946
Weekly lectures on contemporary art given at California School of Fine Arts in 1948. Unpublished transcripts in San Francisco Art Institute Archives.

Published accounts of interviews with S.W. Hayter
Gilmour Pat. 'Interview with Stanley William Hayter'. Prints U.SA. 1982, Print Review n° 15. New York, Pratt Graphic Center, 1982
Goldman Judith. 'Interview with Stanley William Hayter'. Print Review 1982
Kainen Jacob. 'An interview with Stanley William Hayter'. Arts Magazine 60, n°5, January 1986

Radio interviews
Descargues Pierre. France Culture. '3 Hours with Hayter'. Paris,1980

B.B.C. Monitor Programme. 'An Artist in Montparnasse'. 1964, Julian Hayter. 'The Other Side of the Mirror'. Paris, 1976
'Demonstration by Hayter of Atelier 17 single plate multi-color viscosity process'. Ohio State University, c.1960
NBC Television. 'Meet the Expert'. 13 May 1949
Paley Jesse L. 'A New Way of Gravure'. New York, Marco Paley Films, 1950

Selected writings about Hayter

Barr A.H. 'Fantastic Art, Dada, Surrealism'. The Museum of Modern Art, New York, 1936
Breton André. 'Exposition Surréaliste d' Objets'. Galerie Charles Ratton, Paris, 1936.

Breton André and Paul Eluard. 'Exposition Internationale du Surréalisme'. Galerie des Beaux-Arts, Paris,1938.

'Hayter Brings Surrealist Art'. The Sun. New York, 3 October 1940
Read H. and A. Breton , H.D. Syes, P. Eluard, G. Hugnet. 'Surrealism'. Faber & Faber. London, 1940

Frost Rosamund. 'The Chemically Pure In Art: W. Hayter, B.Sc., Surrealist'. Art News XL N° 7. New York,15-31 May 1941
'S.W. Hayter'. Art News. New York, April 1941

Guggenheim N. 'Art of this Century'. Art Aid Corporation. New York, 1942
Zigrosser Carl. 'The Artist in America: Twenty-four Close-ups of Contemporary Printmakers'. A. Knopf, 1942

Frost Rosamund. 'Graphic Revolution: Studio 17'. Art News XLIII n°10. New York, August 1944
'Hayter, Master Graver'. Newsweek. 10 July 1944
Janis S. 'Abstract and Surrealist Art'. Reynal & H itchcock, New York, 1944
'Local Exhibit to Tour'. The Villager. New York, 22 June 1944
McPharlin Paul. 'The Dimensions of a Printed Line'. American Magazine of Art. Washington D.C., November 1944, pp.254-7
Olds  E. 'Graphic Art as a Democratic Medium'. American Contemporary Art. 1944
Sweeney J.J. 'New Directions in Gravure'. Museum of Modem Art Bulletin: 'Hayter and Studio 17', vol. Xll n° 1, New York, August 1944  

Catesby Jones T. 'S.W Hayter'. Kenyon Review vol. 7 n° 3. Kenyon College, Ohio, 1945
'Notice sur S.W. Hayter'. Cahiers du Sud n° 274. Toulouse, 1945
Riley Maude. 'Atelier 17'.The Art Digest. 1 June 1945
Riley Maude. 'Dynamics in color'. The Art Digest, p.6. 1 January 1945
Rothe A. 'S.W. Hayter'. Current Biography. New York, 1945
Sweeney J.J. 'Hayter, Recent Paintings and Drawings'. Flyer for exhibition, Mortimer Brandt Gallery, New York, 6 January 1945
Willard Gallery. Exhibition Catalogue 'Tenth Exhibition of Prints by 35 Members of Atelier 17 Group 1945'. New York, 1945. Preface by H. Read, essays by J.J. Sweeney and C. Zigrosser

'Anthologie du livre illustré par les peintres et sculpteurs de l'École de Paris'. Skira, Paris 1946
Hugo I and  O. Baradinsky. 'New Eyes on the Art of Engraving'. Alicat Bookshop, New York, 1946
Wolf Ben. 'Excitement of Hayter'. Art Digest.  New York,1 June 1946

Breuning Margaret. 'The Undulating Lines of William Hayter'. Art Digest .15 December 1947
Leicester Galleries. Exhibition Catalogue 'Atelier 17 New Etchings and Engravings by Members of the Group'. London, March 1947. Introduction by Herbert Read, technical note by S.W. Hayter
Museum of Modern Art. Exhibition Catalogue 'Modern Painters and Sculptors as Illustrators'. New York, 1947

Coates Robert M. 'New Ideas: Stanley William Hayter'. New Yorker XXIII n° 46. New York, 3 January 1948, pp.44-5
Eluard Paul. 'Facile proie'. Voir. Trois Collines,Geneva/Paris, 1948
Gilbert C. 'Lasansky and the Hayter Circle'. Perspectiva ,1948
'Hayter, Durand-Ruel Galleries'. Art News. New York, 1948
Lye Len. 'Knife Apple Sheer Brush'. Tiger's Eye n°7. New York, March 1948
Reese A. 'American Prize  Prints of   the Twentieth Century'. New York, 1948
Todd Ruthven. 'The Techniques of William Blake's Illuminated Printing'. Print Collector's Quarterly XXIX n°3.1948
Zigrosser Carl. 'The Book of Fine Prints'. Crown, New York, 1948

Barr A. 'Modern Prints and the Museum'. Museum of Modern Art Bulletin. New York, 1949
Laurel Gallery. Exhibition Catalogue 'Atelier 17 New York, 1949'. Contributions from H. Read, J.J. Sweeney, H. Mayor, C. Zigrosser, S.W. Hayter.
'Revolution in Printmaking'. College Art Journal n°2. 1949

'Hayter at Perspectives Gallery'. Art Digest. New York, 1950
Todd Ruthven. 'Hayter paints a picture'. Art News 49 n° 8, pp.28 -31. New York, October 1950

'Atelier 17 Exhibits'.   Art Digest XXVI n°1. New York, 1951
Grace Borgenicht Gallery. Exhibition Catalogue 'Atelier 17'. New York, 1951. Contributions from R. Todd, W. Liebermann, U. Johnson and S.W. Hayter
Gintertael R.V. 'William Hayter'. Art d'aujourd'hui. série 3, n°1. Boulogne, December 1951
Louis Carré Gallery. Exhibition Catalogue 'Hayter, paintings and prints 1934-1951'. Paris, 1951. Preface by L. Degand
Mellquist J. 'Un novateur, Hayter'. Arts-Documents n° 14. Geneva, 1951
N...M... 'S.W. Hayter at the Galerie d'art Moderne'. Werk 38. Zurich, 1951
'S.W. Hayter'. Beaux-Arts. Paris, 1951
Zigrosser Carl. 'American Prints since 1926: a complete revolution in the making'. Art Digest XXVI n°1. New York, 1951

'Atelier 17 Holds First Local Show'. The Villager. New York, 24 July 1952
Hasegawa S. 'Meeting Hayter; I. Yoshikawa and Hayter's Copper Plate Print and Drawing'. Bokubi n°13. Kyoto, 1952
Le Roux Smith. 'William Hayter and the Abstract Movement'. The Listener London, 24 January 1952. Transcript of Third Programme talk

Tapié Michel. 'L'oeuvre énigme d'Hayter'. Paris, 1953

Clarac-Sérou Max. 'Atelier 17'. Graphis vol. 10 n° 55. Zurich, 1954
Palais des Beaux-Arts, Brussels. Exhibition Catalogue: 'Quelques Graveurs Contemporains Autour De L'Atelier l7'. Brussels, 1954

Ashton Dore. 'The Situation in Printmaking'. Arts no°13. 1955
Jouffroy Alain. 'S.W. Hayter'. Arts. Paris, 1955
Mellow J.R. 'Fourteen PainterPrintmakers'. Arts n° 13. 1955
'The Lautrec Bite, Stanley William Hayter', Art News. Novembre, 1955
'William Hayter and the Revival of Engravings: Branch of Atelier 17 to open in London'. Arts. London, 1955

'S.W. Hayter'. Konstrevy XXXII. Sweden, 1956

'Mr Hayter's Art'. The Times. London, 14 November 1957
Museu de Arte Moderna, Rio de Janeiro. Exhibition Catalogue 'Gravuras e Desentos de Stanley William Hayter'. Rio, April-May Foreword by Tuni Martinho
'S.W. Hayter, Early and Recent Etchings and Engravings, a Comparative Exhibition', Whitechapel Art Gallery. Exhibition Catalogue, Retrospective. London, 1957. Foreword by Bryan Robertson
'S.W Hayter'. Entry in Seuphor Michel, Dictionary of Abstract PaintingParis 1957, London, 1958

Langsner Jules. 'Art News from Los Angeles'. Art News 57. n°7. September 1958, p.55
Limbour Georges. 'S.W. Hayter'. Quadrum. Brussels, 1958
'Printmaking Today'.  Holt & Co., New York, 1958
Venice Biennale. 'Gran Bretagna'. Venice, 1958. Introduction by Herbert Read

Conil-Lacoste  Michel. 'L'Atelier 17'. L' OEIL n° 53. Paris May 1959, pp.56-63 Peterdi, Gabor.
Printmaking. Macmillan, New York, 1959

'Graphic Workshop and Activities'. Artist's Proof n° 1.1961
O'Hare F. 'Toward Technical Excellence in Printmaking'. Artist's Proof n° 2. 1961
Shestack  Alan. 'Atelier 17 and Modern Printmaking'. Unpublished Honors thesis, Weslyan University, 1961

Limbour Georges. 'Hayter'.  (Musée de Poche). Editions Georges Fall, Paris 1962
Musée des Beaux-Arts, Liège. Exhibition Catalogue 'S. W. Hayter'. Liège, 1962. Introduction by Roland Penrose
'The Wizard of Atelier 17'. Time Magazine. 29 December 1962
Williams Gwyn. 'S.W. Hayter, Printmaker'. Unpublished thesis, 1962

Galleria dei Foscherari, Bologna. Exhibition Catalogue 'S. W. Hayter e l'Atelier 17'.  Bologna, 1963
Watt  A. 'S.W. Hayter'. Studio n°843. London, 1963

McCue George. 'Dean of Modern Printmakers'. In, Music & The Arts, Education, The Realm of Ideas (supplement). Sunday Port-Dispatch. 28, November 1965
University of Wisconsin. Exhibition Catalogue '2nd Wisconsin Print Show International - S. W Hayter and Atelier l 7'. Madison, 1965

Cabinet des Estampes, Musée d'art et d'Histoire, Geneva. Exhibition Catalogue 'S. W Hayter: 40 ans de Gravure'. Geneva, 1966. Preface by Charles Goerg

Causey Andrew. 'William Hayter Master Printmaker of the 20th Century'. Illustrated London News.18 February 1967, pp.24-5
Galerie Magdalene Sothmann. Exhibition Catalogue 'S. W. Hayter'. Amsterdam, 1967. Essay by Bryan Robertson
Istituto Nazionaie per la Grafica (Calcografia). Exhibition Catalogue 'Stanley William Hayter, 40 anni di incisioni'. Rome, 1967. Foreword by Maurizio Calvesi, essay by Giulio Carlo Argan
Moulin Raoul-Jean. 'Hayter'. Dictionnaire Universel des Arts et des Artistes. Editions Hazan Paris, 1967
Oliver Paul. 'William Hayter'. Arts Review vol. 19 n°4. March 1967
Palais des Beaux-Arts, Charleroi. Exhibition Catalogue 'S.W. Hayter et l'Atelier 17'. Charleroi, 1967
Reynolds Graham. 'The Engravings of S. W. Hayter'. Victoria and Albert Museum, London, HMSO, 1967
Schrag K. 'The artist alone versus the artist in the workshop'. New University Thought n° 4. 1967
Todd Ruthven. 'Mirô in New York: A Reminiscence'. Malahat Review n°1. University of Victoria B.C., January 1967, pp.77-92
University Art Museum Austin. Exhibition Catalogue 'An Exhibition of Recent Paintings by Stanley William Hayter'. Austin, Texas, 17 September 1967. Introduction by Donald Goodall, statement by Hayter

Sandler I.  'The Surrealist Emigres in New York'. Artforum. 1968
Stadtisches Kunsthaus, Bielefeld. Exhibition Catalogue 'Stanley William Hayter Grafiken'. Bielefeld, 3 March 1968. Introduction by J.W. von Moltke,. Essay by Georg Syamken
Redeker Hans. 'Hayter'. Algemeen Handelsblad. Rotterdam, 13 January 1968

Conil-Lacoste Michel. 'Hayter, le patron'. Le Monde. Paris, 6 November 1969
Forgey Benjamin. 'The Wisdom of S.W. Hayter'. The Sunday Star. Washington D.C., 2 November 1969
Seuphor Michel. 'S.W. Hayter'. Entry in Dictionnaire de Surréalisme. Hazan, Paris, 1969
Robertson Nan. 'Hayter Art Show Opens in Capital'. New York Times. 26 October 1969

Chilo Michel. 'Avec Hayter dans l'Atelier 17'. Chroniques de l'Art Vivant. 1970
Emily Lowe Gallery. Exhibition Catalogue 'Stanley William Hayter, The Graphics'. Hofstra University, Hempstead, New York, April 1970. Essay by David Shapiro
Gross Anthony. 'Etching, Engraving and Intaglio Printing'. Oxford University Press, London and New York, 1970
La Tortue Gallery. Exhibition Catalogue 'Stanley William Hayter, Etchings and Lithographs 1939 -1969'. Santa Monica, 1970

'S.W. Hayter'. Discovering Antiques. Van Piper, 1971
2sd Wisconsin Print Show International, 'Stanley William Hayter and  Atelier 17'. Ellison Bay Festival of Arts & Madison Art Center,  Wisconsin, 1971

Henry M. 'Antologia grafica del Surrealisma'. Mazzotta, Milan, 1972
Michel Jacques. 'Qu'est-ce qui fait courrir Hayter ?'. Le Monde. Paris, 17 October 1972
Musée d'art Moderne de la Ville de Paris. Exhibition Pamphlet 'Hayter, Ondulations'. Paris, October 1972. Essays by Jacques Lassaigne, Georges Limbour and Claude Estéban

Castelman R. 'Modern Art in Prints'.The Museum of Modern Art, New   York,1973
Corcoran Gallery of Art/Lunn Gallery/Graphics International. Exhibition Catalogue 'Stanley William Hayter, Paintings, Drawings and Prints 1928-1950'. Washington D.C., 1973. Introduction by Jacob Kainen
Dictionary of Twentieth-Century Art, page 159, Phaidon Press, London, 1973
Harold Ernst Gallery. Exhibition Catalogue 'Stanley William Hayter, Paintings - Drawings - Lithographs'. As exhibited at Musée d'art Moderne de la Ville de Paris. Boston,  9 May 1973
Littlewood Susan. 'Patterns of Understanding and Communication'. Christian Science Monitor. 8 June 1973
Levêque J-J. 'Trois ateliers: Goetz, Hayter, Friedlaender'. Cimaise. September-December 1973, pp.101-4
'S.W. Hayter, Early and Recent Etchings and Engravings, A Comparative  Exhibition'. Christopher Drake Ltd., London, 1973
The Oxford Companion to Twentieth-Century Art, pp 250-1, Oxford University Press

La Tortue Gallery. Exhibition Catalogue 'S. W Hayter, Engravings and Etchings 1942 to 1971''. Santa Monica, 19 February 1974
'Les Mystères de l'Estampe'. L'OEIL n°230, September 1974
'Les Mystères de l'Estampe 3: Le Burin et la Pointe Sèche'. D.Ferriot, L'OEIL n°232,  November 1974
Myers B.S. and Myers S.D.   Dictionary of 20th Century Art,  page 166-167,  Mc Graw-Hill Book Compagny, 1974
Rothenstein J.  'Modern English Painters Volume 3: Wood to Hockney'. London and New York, 1974

Driesbach David. 'S.W. Hayter. His influence on contemporary art'. University of Ohio, Dekalb 1975
Ernst Jimmy. 'A Not-so-Still Life'. New York, 1975
Neptune Gallery. Exhibition Catalogue 'Hayter'. Dublin, June 1975. Essays by A.J. Leventhal, John Montague and Richard Ryan

Castelman R. 'Prints of The Twentieth Century: a History'. Thames and  Hudson, London, 1976
Eichenberg F.and Harry N. Abrams. 'The Art of The Print: Masterpieces, History, Techniques'.  Inc;, 1976
Galerie de Seine. Exhibition Catalogue 'S. W Hayter peintures 1940 1975'.   Paris, 1976. Essays by Hayter and André Pieyre de Mandiargues: 'Peinture Pure'
Moser Joann. 'The significance of Atelier 17 in the development of 20th-century American Printmaking'. Ph. D. dissertation, University of Wisconsin, Madison, 1976

Acatos Sylvio. 'Art et Dynamisme'. Constuire Culturel. Switzerland, 1977
'Contemporary Artists'. Page 389-390, Colin Nayor Porridge, St James Press, London, St Martin 's Press, New York, 1977
Elvehjem Art Center Exhibition Catalogue 'Atelier 17. A 50th Anniversary Retrospective Exhibition'. University of Wisconsin, Madison, 1977. Essay by Joann Moser
'PARIS - NEW YORK'. Centre National d'art et de Culture Georges Pompidou, Paris, 1977
Smith Susan. 'The Still Experimental Hayter'. International Herald Tribune. 1977

Agnes Etherington Art Center. Exhibition Catalogue 'Hayter and the Atelier 17 - Works from the Dickson/Sweetman Collection'. Queen's University, Kingston, Ontario, November 1978. 'Commentary' by Jennifer Dickson
Farrell  Adrienne. 'A half century of lasting imprint'. The Smithsonian 6. pp.89-92, 1978
Istituto Nazionale per la Grafica, CaIcografia. Exhibition Catalogue 'S. W Hayter Acquaforti e Bulini dal 68 al 78'. Rome, May 1978. Essays by M. Catelli Isola, R. Arnheim and G.C. Argan
Kreithen  Arlene. 'S.W. Hayter and Surrealist Printmaking, 1933-1939'. Unpublished thesis presented at Wellesley College 1978
Moser Joann. 'The impact of Stanley William Hayter on Post War American Art'. Archives of American Art Journal 1. Washington D.C., pp.2-11, 1978   
Paul  Carolyn. 'Printmaking Pioneer: Stanley William Hayter'. Art News 77 n° 6. pp.70-4, New York, September 1978,
Russell  John. 'Over 50 years of Prints in Brooklyn'. The New York Times. 17 March 1978
Saff D.'Printmaking History and Process'.Holt Rinehart and Winston,  USA,1978
'Stanley William Hayter,Drawings and Etchings 1930-1954'. Parkin Gallery, London,1978

Bowman Pierre. 'The artist the prints -both originals'. Honolulu Advertiser. 14 February 1979
Taylor J.'The Fine Arts In America'. The University of Chicago, Chicago and London, 1979
Weisberg  Ruth.  'S.W. Hayter A Life in Prints'. Artweek 10 n°. 9, p.8,  3 March 1979

Johnson Una. 'American Prints and Printmakers'. Doubleday, New York, 1980

'For Stanley William Hayter on his 80th birthday'.  Oxford Gallery, October 1981. Essays by Pat Gilmour, Garo Antreasian, Anne Breivik,   Riva Castleman, Sylvan Cole, Jennifer Dickson, Anthony Gross, Jean Lodge, Roland Penrose, Gabor Peterdi, Graham Reynolds, Dolf Rieser, Bryan Robertson, Michael Rothenstein and Valerie Thornton
Galerie de Seine. Exhibition Catalogue 'Atelier 17, 1927 Paris - New York 1950'. Paris, 1981. Essay by Graham Reynolds
Goldman J. 'American Prints: Process 1 Proofs'. Whitney Museum of American Art: Harper&Row; Fitzhenry & Whiteside Ltd., Toronto, 1981.
Musée de Beaux-Arts, Caen. Exhibition Catalogue 'S.W. Hayter et l'Atelier l7'. Caen, 1981. Essay 'Dynamisme Chromatique' by Claude Estéban
Pier Arts Centre. Exhibition Catalogue 'Stanley William Hayter Prints 1930 -1981'. Stromness, Orkney, July 1981. Introduction by Alexander Dunbar

Biro A. and R. Passeron.  Dictionnaire Général du Surréalisme et de ses Environs,  Office du Livre S.A., Fribourg, Suisse, 1982
Fichner-Rathus Lois. 'Pollock at Atelier 17'. Print Collector's Newsletter. , pp.62-5, November-December 1982
Kenney  Nancy. 'S.W. Hayter The Master at 80'. International Herald Tribune. Paris, 1982
Reynolds Graham. 'S.W. Hayter, a Tribute'. Apollo 115 n°2. , p.119, February 1982

Reynal Jean-Claude. 'Atelier 17 after fifty years'. Print News. January-February 1983

Dupin  J. 'Miro Graveur'. Lelong Paris, 1984
Galerie Jean-Claude Riedel. Exhibition Catalogue 'Les oeuvres récentes de Hayter'. Paris, November 1984. Essay by Jean-Clarence Lambert
Halasz  Piri. 'Stanley William Hayter: Pollock's other Master'. , pp.73-5, Art Magazine 59 n°3. 1984
Rothenstein John. 'Modern English Painters'. London, 1984

Cremin Ann. 'Beckett's Friend, S.W. Hayter'. Social and Personal. Dublin, 1985
Nesjar Carl. 'Hayter og Atelier 17'. Bille Ukunstnerer. Oslo, 1985
Regan Kate. 'Quiet Pioneers of Sculpture/Print'. San Francisco Chronicle. 17 March 1985
Russell John.  'Art:... S.W. Hayter (Armstrong Gallery)'. New York Times. 13 December 1985

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Santica Hall, Gallery Santica Kobe; Espace Printemps 'Printemps Ginza', Tokyo. Exhibition Catalogue 'Symphony poem of lines-Paris-New York'. Kobe, March 1985. Essays by Tokuhiro Nakajima and Alain Jouffroy

Sawin Martica. 'Stanley William Hayter at 84'. Arts Magazine 60 n°5. January 1986

Campbell Lawrence. 'Stanley William Hayter at Armstrong'. Art in America 74 n°10. October 1986
Fogel Jean-Francois. 'La gravure a trouvé son maître'. Le Point. Paris, 19-26 May 1986
Galerie Jean-Claude Riedel. Exhibition Catalogue 'Recent works by Hayter '. Paris, 1986
Mayor Gallery. Exhibition Catalogue 'British Surrealism -Fifty Years On '. London, March 1986
Peri Jed. 'Hayter's line and Golub's message'. The New Criterion 4 n°7. , pp.45-53, New York, March 1986
Sawin Martica. 'Stanley William Hayter at 84'. Arts Magazine 60 n°5. January 1986

Australian National Gallery. Exhibition Catalogue 'The Spontaneous Gesture, Prints and Books of the Abstract Expressionists'. Canberra, 1987. Essay by Lanier Graham
Cohen David. 'S.W Hayter and the Theory of Automatism'. Unpublished thesis, The Courtauld Institute, London, 1987

'Atelier 17. Stanley W. Hayter'. Artension d'autres regards sur l'Art Actuel, n°3 nouvelle série,1988
Ball George. '1901-1988 Stanley William Hayter'. L'Estampe. Paris, June 1988
Black Peter. 'Engraved with the mark of greatness'. Financial Times. London, 3 November 1988
Brenson Michael. 'Stanley William Hayter, 86, Dies; Painter Taught Mirô and Pollock'. New York Times. 6 May 1988
Cohen  David. 'S.W. Hayter Obituary '. Modern Painters. Autumn 1988
Galerie Jean-Claude Riedel. Exhibition Catalogue Oeuvres récentes de 'S. W Hayter' . Paris, April 1988, Statement by Hayter
Griffiths Antony. 'Stanley Hayter: art and print in Paris and New York'. The Guardian. London and Manchester, 23 May 1988

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Hacker Peter (Editor). 'The Renaissance of Gravure; The Art of S. W.Hayter'. Oxford University Press, London, October 1988. Essays by Peter Hacker, Graham Reynolds, David Cohen, Peter Black, Bryan Robertson and Jean Lodge

'Hommage à Stanley William Hayter'. Journal Artcurial. Paris, November 1988 - January 1990
Memorial Tribute. 'S.W. Hayter, A Memorial Tribute'. held in the Bernard Mayer Auditorium, The New School for Social Research, New York, 17 November 1988. Unpublished essays by John Russell, Harry Lunn, Jacob Kainen, Bryan Robertson and Robert Blackburn
Moorhead Désirée. 'S.W. Hayter'. Encyclopedia Universalis. Vie et Portraits. Paris, 1988
Robertson Bryan and David Gascoyne. 'S.W. Hayter' (Obituary)' . The Independent. London, 7 May 1988
'Stanley William Hayter. Dolan/Maxwell Gallery'. New York Times. 9 December 1988
Stevens Anne. 'S.W. Hayter Printmaker'. The Antique Collector. London, October 1988

Austin/Desmond Contemporary Books. Exhibition Catalogue 'The Printmakers of Atelier 17'. London, January 1989
Cohen David. 'Glasgow and Paris: S.W. Hayter'. Burlington Magazine. February 1989
Coia Emilio. 'Demonic Expression of Genius'. The Scotsman. Edinburgh, 10 January 1989
Flowers Clare. 'The power and influence of S.W. Hayter'. Scotland on Sunday. Edinburgh, 15 January 1989
'He founded Atelier 17'. Print Collector's Newsletter XIX n°6. January-February 1989
Lambirth Andrew. 'Master Printer'. RA The Royal Academy Magazine n°24. Autumn 1989
Royal Academy of Arts. Exhibition Pamphlet 'S. W. Hayter Hon R.A'. London, 26 September 1989. Essay by David Cohen

Carey Frances and Antony Griffiths. Exhibition Catalogue 'Avant-Garde British Printmaking 1914-1960'. London, British Museum Publications, pp.117-24, 1990
Cohen David. 'The Expressive Qualities of Gravure: S.W. Hayter and Atelier 17'. Apollo. July 1990

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Galerie Jean-Claude Riedel. Exhibition Catalogue 'S.W Hayter, Dynamisme Chromatique, 1964-1974'. Paris June 1990. Essay by Claude Estéban

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Istituto Nazionale per la Grafica, Calcografia. Exhibition Catalogue 'Hayter e l'Atelier l 7'.  Electa, Milan, May 1990. Essays by Carla Esposito, Peter Hacker, Bryan Robertson and Milton Gendel

B.B.C. Monitor Programme. 'An Artist in Montparnasse'. 1964, Julian Hayter. 'The Other Side of the Mirror'. Paris, 1976
Black Peter 'Relief Printing and the Development of Hayter's Colour Method'. Print Quarterly vol. 8 n°4. London, December 1991
Crane Gallery. Exhibition Catalogue 'Paintings, Drawings and Prints by Stanley W. Hayter'. London, April 1991. Essay by David Cohen
Day & Bird Fine Art. Exhibition Catalogue 'S. W. Hayter, Colour Engravings'. London, May 1991. Essay by Peter Black
Hacker P. M.S. 'The Color Prints of Stanley William Hayter'. The Tamarind Papers vol. 14. University of New Mexico, Albuquerque, 1991
Scott Duncan. 'Hayter's Legacy in England'. The Tamarind Papers vol. 14. University of New Mexico, Albuquerque, 1991

Black Peter and Désirée Moorhead, 'The Prints of Stanley William Hayter. A complete catalogue.' 1992,  Phaidon Press limited, 140 Kensington Church Street, London W84BN.


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Galerie Jean-Claude Riedel. Catalogue de l'exposition 'Hayter, Les Oeuvres des Années 60'. Paris,1994


Hayter Augy. 'Fictions and Factions.' 2002, Tractus Books, 43 rue de La Gaîté, 75014 Paris.